Portuguese rights (Artistas Unidos)
»The fact that this work does not descend into a culturally pessimistic tantrum is due to Maci's successful play with ambivalences. In her work, the body is both a possibility for self-empowerment and an object. It combines power and powerlessness. ... The author reacts to the complexity of the world with writing that consistently eludes a firm grasp. One feels weightless, at times disoriented. But it is precisely this disorientation that holds the potential for free thinking.« Björn Hayer, ZEIT ONLINE
»The fact that this work does not descend into a culturally pessimistic tantrum is due to Maci's successful play with ambivalences. In her work, the body is both a possibility for self-empowerment and an object. It combines power and powerlessness. ... The author reacts to the complexity of the world with writing that consistently eludes a firm grasp. One feels weightless, at times disoriented. But it is precisely this disorientation that holds the potential for free...
Enis Maci, born in 1993, studied creative writing at the German Literature Institute in Leipzig and cultural sociology at the London School of Economics. Her plays have been performed, among other venues, at the Schauspielhaus Vienna and the Schauspiel Leipzig to great acclaim. For the theatre season 2018/19, Enis Maci was the writer-in-residence at Mannheim’s National Theatre.
Enis Maci, born in 1993, studied creative writing at the German Literature Institute in Leipzig and cultural sociology at the London School of...
What might resistance look like nowadays? Seeking an answer, Enis Maci draws a direct line from Joan of Arc to Sophie Scholl to the sworn virgins of Albania. She exposes the media strategies of...
Slovenia (Beletrina), Albania (Berk)