Suhrkamp | Insel
Rights sold to:

Portuguese rights (Artistas Unidos)


WONDER / WUNDER
»Let’s enter the former living room of a female dervish. There they stand, the pilgrims, with their bodies. And plead. And hope.
The body is a thread – and who turns the screws, and of what? Is it true that ›nobody ever regretted a workout‹? Is there really no ›change in the presence of comfort‹?
The body is a miracle – and examines them; a priest at the scene of a Marian apparition, bent over the X-ray image of a tumour that has...
Read more
»Let’s enter the former living room of a female dervish. There they stand, the pilgrims, with their bodies. And plead. And hope.
The body is a thread – and who turns the screws, and of what? Is it true that ›nobody ever regretted a workout‹? Is there really no ›change in the presence of comfort‹?
The body is a miracle – and examines them; a priest at the scene of a Marian apparition, bent over the X-ray image of a tumour that has disappeared by now.
The body is a wound – it opens and closes; the body is a reed, bend and soaked and humiliated by the flood but that nevertheless stand up tall again cheerfully once the flood eases. So it is passed down to us by Elizabeth of Hungary, marked by welts. She is not the only dissident saint praised here.
WONDER is a meditation on deviant tendencies and the fragmentary, on illness and solace, on rituals and faith – on the big something, on me, on us.« (Enis Maci)

»The fact that this work does not descend into a culturally pessimistic tantrum is due to Maci's successful play with ambivalences. In her work, the body is both a possibility for self-empowerment and an object. It combines power and powerlessness. ... The author reacts to the complexity of the world with writing that consistently eludes a firm grasp. One feels weightless, at times disoriented. But it is precisely this disorientation that holds the potential for free thinking.« Björn Hayer, ZEIT ONLINE

 

»The fact that this work does not descend into a culturally pessimistic tantrum is due to Maci's successful play with ambivalences. In her work, the body is both a possibility for self-empowerment and an object. It combines power and powerlessness. ... The author reacts to the complexity of the world with writing that consistently eludes a firm grasp. One feels weightless, at times disoriented. But it is precisely this disorientation that holds the potential for free...

Read more
2021, 114 pages
Service
Cover (Web)Cover (Print)

Persons

Author

Enis Maci, born in 1993, studied creative writing at the German Literature Institute in Leipzig and cultural sociology at the London School of Economics. Her plays have been performed, among other venues, at the Schauspielhaus Vienna and the Schauspiel Leipzig to great acclaim. For the theatre season 2018/19, Enis Maci was the writer-in-residence at Mannheim’s National Theatre.

Author

Enis Maci, born in 1993, studied creative writing at the German Literature Institute in Leipzig and cultural sociology at the London School of...


OTHER PUBLICATIONS

Karl May
Year of Publication: 2024
Enis Maci, Mazlum NergizYear of Publication: 2024
Karl May is a curious phenomenon – a small-time criminal, a conman, and Germany’s most successful writer of all time. Millions of Germans grew up with his books set in the Wild West, and with his characters Winnetou and Old Shatterhand. Not Enis Maci and Mazlum Nergiz. In this book, the two authors try to get to the bottom of this phenomenon: What’s all this about lying and surviving? What...
Ice Cream Parlour Europe
Year of Publication: 2018
Enis MaciYear of Publication: 2018

What might resistance look like nowadays? Seeking an answer, Enis Maci draws a direct line from Joan of Arc to Sophie Scholl to the sworn virgins of Albania. She exposes the media strategies of...

Rights sold to:

Slovenia (Beletrina), Albania (Berk)


DISCOVER

Just published
We are delighted to present to you our latest arrivals!