The Morning the Paperboy

Stories
Suhrkamp | Insel

The Morning the Paperboy / Der Morgen an dem der Zeitungsträger
Stories

Even when they are absent and unfulfilled, they still control life, the body, the rhythm: passion and love. They are standing behind the door that a woman closes, are locked out like stray mutts. What remains is the individual, standing in the world as though she didn’t belong. One who marvels like children or strangers marvel. Phantasies of violence beset the woman in The Morning the Paperboy. Day after day she stages herself like a white, waiting body. Waiting like a spider....

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Even when they are absent and unfulfilled, they still control life, the body, the rhythm: passion and love. They are standing behind the door that a woman closes, are locked out like stray mutts. What remains is the individual, standing in the world as though she didn’t belong. One who marvels like children or strangers marvel. Phantasies of violence beset the woman in The Morning the Paperboy. Day after day she stages herself like a white, waiting body. Waiting like a spider. In these stories, dreams and nightmares lie right next to each other. Esther Dischereit has written herself into processes, stories that start abruptly and end without a conclusion. Noncompliances are what make her stories both lively and confusing.


2007, 148 pages
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Persons

Esther Dischereit, possibly the preeminent German-Jewish voice of the post-Shoah generation, was born in Heppenheim in 1952 and now lives in Berlin. She has published fiction, poetry, and essays, and is a prolific writer for radio and the stage. Her first novel, Joëmis Tisch, was published by Suhrkamp in 1988 and was followed by the novel Merryn (1992), two volumes of essays, several volumes of poetry and a collection of short stories. The founder of the avant-garde project WordMusic, Dischereit has also worked as a curator for various projects in contemporary art / new media. Her film A Dress from Warsaw – a co-production with director Mihal Otlowski – was shown at the Ashkelon Film-Festival »Jewish Eye« in 2008 and nominated for...

Esther Dischereit, possibly the preeminent German-Jewish voice of the post-Shoah generation, was born in Heppenheim in 1952 and now lives in...


OTHER PUBLICATIONS

Exercises in Being Jewish
Year of Publication: 1998
Esther DischereitYear of Publication: 1998

This book deals with approaching being Jewish after the normality of origin, family, tradition and faith has been lost with the people killed in the genocide. How does one live a Jewish life in which one can no longer hum the melodies for the holidays? Some of the essays address the connections of Jewish issues with the moral system of human rights: How should we evaluate the treatment of the...

Joëmi‘s Table
Year of Publication: 1988
Esther DischereitYear of Publication: 1988

A woman acknowledges that she is Jewish, reluctantly and late in life. Thus begins Joëmi’s Table. This newly found and at once regained identity transports the mother’s shadows and the story of her persecution into the woman’s own present and past. The traces of the past catch up with her. And even when looking at other peoples, particularly the Arabic culture in Northern Africa,...