Pathos and Swallow

Suhrkamp | Insel
Rights sold to:

English world rights (Seagull), Denmark (Arena), Sweden (Ellerstöms)


Pathos and Swallow / Pathos und Schwalbe
Friederike Mayröcker had to spend the summer months of 2015 in hospital. For weeks she is cut off from her writing cave, the legendary paper enclosure of her poetic work. Writing in the strange, unfamiliar environment is impossible, not because the annoying physical infirmities prevent the poet from doing so, but because she cannot hear the continuous whispering and stirring of the sheets of paper nestled against each other, from which those distillates of words and sentences that create...
Read more
Friederike Mayröcker had to spend the summer months of 2015 in hospital. For weeks she is cut off from her writing cave, the legendary paper enclosure of her poetic work. Writing in the strange, unfamiliar environment is impossible, not because the annoying physical infirmities prevent the poet from doing so, but because she cannot hear the continuous whispering and stirring of the sheets of paper nestled against each other, from which those distillates of words and sentences that create Mayröcker’s unique sound are perceived. The poet manages in her own way, with constant »scribbling«, a protocol of the monotonous days: »spend the days reading sleeping eating«. As soon as she is back in her refuge, she spins and weaves the notations into that incomparable poetry that is »as dense as rock and as tender as the most delicate of membranes« (Klaus Kastberger, Die Presse).

Pathos and Swallow is radical and stubborn, is abundance and precision. And it is the moving attestation to a life that knows but one goal: »i would have to have the entire day to myself to be able to write with abandonment, shouting I mean.«
»Brilliant and painful, Pathos and Swallow talks about the sharp cliffs of old age, a great song of joy and lament, in which the beauty of existence and the fear of parting are joined ... « Meike Fessmann, Süddeutsche Zeitung

»By showing how she continues to rebalance herself with the help of and against the uncontrollable forces of language in her trilogy, she has once again created a writing style of breathtaking beauty […], which she continues in Pathos and Swallow [...] while at the same time reinventing it in every aesthetic survey of her environment.« Christian Metz, Frankfurter Allgemeine Zeitung

»With their syncopations these texts sound like jazz. They bear witness to the historical moment that had a decisive influence on her ideas and structures ... In the rush of time, Friederike Mayröcker still knows how to shake up her readers and remind them of the possibilites of great poetry.« Eberhard Geisler, taz. die tageszeitung

»We would like to be loved just like Friederike Mayröcker loves the world, full of love for language and devotion.« Süddeutsche Zeitung

»With Pathos and Swallow, Friederike Mayröcker continues her solitary poetic record of existence that breaks with all kinds of conventions.« Kurt Neumann, Die Presse

»It is not what is communicated in language that is of central importance in Pathos and Swallow, but rather it is the language itself that makes this text an extraordinary event.« Michael Opitz, Deutschlandfunk Kultur

»With this book, Mayröcker proves once again that she is one of the greatest avant-gardists of our time.« ORF

»Friederike Mayröcker’s book Pathos and Swallow is a passionate, unsparing record. Ruthless is its language and equally ruthless is Mayröcker’s existence that is bound to language.« Cornelia Jentzsch, Deutschlandfunk
»Brilliant and painful, Pathos and Swallow talks about the sharp cliffs of old age, a great song of joy and lament, in which the beauty of existence and the fear of parting are joined ... « Meike Fessmann, Süddeutsche Zeitung

»By showing how she continues to rebalance herself with the help of and against the uncontrollable forces of language in her trilogy, she has once again created a writing style of breathtaking beauty […], which she...
Read more
2018, 266 pages
Service
Cover (Web)Cover (Print)

Persons

Friederike Mayröcker was born in 1924 in Vienna, where she died in 2021. From 1946 to 1969 she taught English at various secondary schools in Vienna. Her first literary works date back to 1939. She began publishing poems in journals in 1946, her first book was published in 1956. She wrote poetry, prose, plays, radio plays and children's books and was honoured with numerous distinguished national and international literary awards.

Friederike Mayröcker was born in 1924 in Vienna, where she died in 2021. From 1946 to 1969 she taught English at various secondary schools in...


OTHER PUBLICATIONS

as mornings and mossgreen I. Step to the window
Year of Publication: 2020
Friederike MayröckerYear of Publication: 2020

»Esteemed listeners, do not try to lift the secret of this text«, orders Friederike Mayröcker in her new work of prose – but even its title leaves an infallible...

Rights sold to:
English world rights (Seagull), Denmark (Palomar)
Jimi
Year of Publication: 2020

»Jimi the Polar Bear was lying in the arms of the sleeping child, his paws crossed. It was 1 very young polar pear the size of a puppy and he hardly dared to breathe so as not to wake the child. The child was dreaming that Jimi was lying in its arms and told him 1 story.«


Thus begins the short poetic story of Jimi the Polar Bear and the child Emma, told by the great Austrian poet...

fleurs
Year of Publication: 2016
Friederike MayröckerYear of Publication: 2016

fleurs – the flowers, the flower petals, they give this book its title, make us think of spring, of mild air and gently flowing ribbons. But if you let yourself be lured onto that...

Rights sold to:

English world rights (Seagull)

cahier
Year of Publication: 2014
Friederike MayröckerYear of Publication: 2014

Friederike Mayröcker doesn’t have time. Neither for résumé and memory, nor for extensive observations and reasoning and certainly not for storytelling. She doesn’t even have time for life itself...

Rights sold to:

English world rights (Seagull)

études
Year of Publication: 2013
Friederike MayröckerYear of Publication: 2013

Études is what Friederike Mayröcker calls her prose poetry and lyrical prose pieces, studies then, or »shreddings«, as she says, splintering, brittle and highly concentrated; the language...

Rights sold to:

English world rights (Seagull)

just sitting around here GRUESOMELY now
Year of Publication: 2012
Friederike MayröckerYear of Publication: 2012
»It is summer in this book, even if nature often does not hold to summer. The flowers either have tiny buds or have long since withered. It is summer in the book, asserts Mayröcker’s...
Rights sold to:

English world rights (Seagull), France (Atelier de l'Agneau), Denmark (Palomar), Bulgaria (Ergo)

Scardanelli
Year of Publication: 2009
Friederike MayröckerYear of Publication: 2009

Rights sold to:

USA (The Song Cave), Spain (Ediciones de Aqui), France (Atelier de l'Agneau)

Previously published in the respective language / territory; rights available again: Sweden (Ellerströms), Hungary (Pluralica)

And I Shook Myself a Beloved
Year of Publication: 2005
Friederike MayröckerYear of Publication: 2005
Spiegel Online: »Have you ever considered writing, rather straightforwardly and at length, about your relationship with Ernst ...
Rights sold to:

English world rights (A Public Space), Czech Republic (Dybbuk)

Previously published in the respective language / territory; rights available again: Sweden (Ellerströms)

brütt
Year of Publication: 1998
Friederike MayröckerYear of Publication: 1998

»brütt«. To Friederike Mayröcker a symbol of pain and hardship, of the cold and of grief, were it not for the »sighing gardens« that lend a soft counterbalance to the stirrings of love...

Rights sold to:

Previously published in the respective language / territory; rights available again: English world rights (Northwestern UP), France (Atelier de l'Agneau)

The Heart-Wrenching Nature of Things
Year of Publication: 1990
Friederike MayröckerYear of Publication: 1990
The book is the continuation of a kind of biography that began with Night Train; the continuation of a merciless enchantment.
Rights sold to:

France (Atelier de l’Agneau)