With programs such as ChatGTP, artificial intelligence has reached a level at which it is now scarcely possible to distinguish a text written by a computer from one written by a human being. For example, can you be certain that the text you are reading right now was not written by an algorithm?
This represents a real turning point in the way we read the written word. If we are constantly susceptible to the suspicion that a text has been generated using AI, the distinction between...
With programs such as ChatGTP, artificial intelligence has reached a level at which it is now scarcely possible to distinguish a text written by a computer from one written by a human being. For example, can you be certain that the text you are reading right now was not written by an algorithm?
This represents a real turning point in the way we read the written word. If we are constantly susceptible to the suspicion that a text has been generated using AI, the distinction between natural and artificial ceases to make sense – ushering in a post-artificial era. Hannes Bajohr discusses how this shift is affecting newspaper articles and academic publications, and how it is changing the way we read and write literary texts.
Hannes Bajohr, born in Berlin in 1984, studied Philosophy, German Literature und History in Berlin and New York and earned his PhD with a thesis on Hans Blumenberg's philosophy of language. Apart from his academic work, he has translated Kenneth Goldsmith and Judith Shklar, among others, from the English and is the author of prose, essays and digital poetry.
Hannes Bajohr, born in Berlin in 1984, studied Philosophy, German Literature und History in Berlin and New York and earned his PhD with a thesis...
When everything is text, because everything is code, there is no more work, only wrought material, a semi-finished product. Images, films, sounds, words – in the digital world, everything is open...
English world rights (Counterpath Press)