»Stepanova questions with finesse the role of memory as well as its deviations,
sometimes harmless, sometimes harmful when they emerge as a cult of the past.«
Laetitia Strauch-Bonart, L’Express, France
»[Stepanova’s] family story is one of commanding intelligence and breathtaking erudition.«
Didier Jacob, L’Obs, France, starred review
»A true literary phenomenon, this melancholic chronicle of a century of Russian history, seen through the prism of the own family past […] [this is] magnificent literary vagrancy, in which we meet, in turn, Pushkin, Boris Pasternak, or the great Russian poet, Ossip Mandelstam, author of The Noise of Time; Maria Stepanova’s novel has the semblance of a documentary, an essay between fiction and non-fiction. It wants to follow in the footsteps of the great German writer W.G. Sebald, whose entire oeuvre oscillates between autobiography, biographies and true fiction...«
Pierre de Gasquet, Les Echos Week-End, France
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