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Returning to the area southwest of Paris after years of being on the road, three days later the hero was forced to set out again. In contrast to previous explorations of the world, this time he has an irrefutable goal: »›This is the face of an avenger!‹ I said to myself when I looked in the mirror the morning I set off on my journey.« Revenge? For what?
For the mother denounced in a newspaper article as a supporter of her country's annexation to Germany. Against whom? A...
Returning to the area southwest of Paris after years of being on the road, three days later the hero was forced to set out again. In contrast to previous explorations of the world, this time he has an irrefutable goal: »›This is the face of an avenger!‹ I said to myself when I looked in the mirror the morning I set off on my journey.« Revenge? For what?
For the mother denounced in a newspaper article as a supporter of her country's annexation to Germany. Against whom? A journalist, the author of those untruthful allegations, who lives within a day's drive, out in the hills around Paris. However, the experiences of all those travellers Peter Handke has had set off from home are also confirmed here: »I hadn't come up with a plan. It had to happen. On the other hand: It did, in fact, exist, the plan. But it wasn’t my own.«
And so the revenge campaign becomes a celebration thanks to a conscious decision on the part of the narrator, Peter Handke: Only that which has existed in real life is allowed access to the written story. And vice versa: A story only becomes real if it is worth telling.
»It’s not The Second Sword that is made of steel but the narration itself. A pious legend? Maybe. But a victory of literature.« Lothar Müller, Süddeutsche Zeitung
»This book is Handke’s perfidious revenge on his critics, that’s the way one wants to and should read it today – and at the same time it is a feast for his admirers. A double-edged sword.« Philipp Haibach, Die literarische Welt
»The book masterfully entangles the elevated and the farcical, real anger with parody, apodictic speech with particles of everyday language. The May Story is a spring-like easy read but is yet a ›serious game‹ in the style of the old masters.« Thomas E. Schmidt, DIE ZEIT
»[…] he maintains the suspense in The Second Sword until the end. Is the narrator going to take revenge on the journalist? It’s a literary game – not just with what happens in the book but also with the knowledge of his own reputation.« Sebastian Hammelehle, Der Spiegel
»The seemingly militant title The Second Sword is entirely taken up in literature […] and Handke’s epic aligns itself with Homer’s epics with dream-like ease. […] In the echo chamber of the classic epics the boundary between narration and religion has been lifted for Handke. This must not be understood as a theological conviction but as an expression of all that literature encompasses.« Helmut Böttiger, Deutschlandfunk Kultur
»Handke‘s May Story, a literarily perfect, astonishingly irritating text of self-exploration [...]« Ulrich Kühn, NDR Kultur
»The May Story is teeming with references to so much of what Handke has written over the course of his long career […] Handke toys with his work, often light-footed, then profound when he is dealing with big themes […].« Mladen Gladic, der Freitag
»Handke casually plays all the cards he has hidden up his sleeve. Where the story first seems like it is strung together almost incidentally, it grows into a complex structure. And in between Handke winks at us. His hero is never unlikeable, because he is never murderous. […] This keeps the story of revenge in a state of ease that counteracts it and in a cheerful balance.« Michael Wurmitzer, der Standard
»Peter Handke‘s new book shows him as a giant of the art of narration. […] [He creates] a kind of prose that is not subject to an expiration date any time soon and should still captivate readers in 100 years‘ time.« Ulf Heise, MDR
»How everything comes to a conclusion in the end, finds each other as though a matter of course, moves the reader. The others are beyond help anyway. Are they going to keep silent at least? It stands to reason that they won’t.« Lothar Struck, Glanz&Elend
»The Second Sword fits into [Peter Handke’s] narrative cosmos like a splendidly shimmering mosaic piece.« Werner Krause, Kleine Zeitung
»It’s not The Second Sword that is made of steel but the narration itself. A pious legend? Maybe. But a victory of literature.« Lothar Müller, Süddeutsche Zeitung
»This book is Handke’s perfidious revenge on his critics, that’s the way one wants to and should read it today – and at the same time it is a feast for his admirers. A double-edged sword.« Philipp Haibach, Die literarische Welt
»The book masterfully entangles the elevated and the...
Peter Handke, born in 1942 in Griffen, Austria, lives near Paris. His books have been translated into more than 35 languages. In 2019, he was awarded the Nobel Prize in Literature.
Peter Handke, born in 1942 in Griffen, Austria, lives near Paris. His books have been translated into more than 35 languages. In 2019, he was...
Gregor returns home from another continent. The landscape, formerly characterised by its many villages, has become an urban agglomeration, both familiar and foreign at the same time. His family...
English world rights (FSG), Spanish world rights and Catalan (Alianza), Italy (Guanda), Sweden (Faethon), Turkey (Sia Kitap), Greece (Hestia)
Since the early seventies, Peter Handke has filled thousands of pages in notebooks. The slim books, which have to fit in every shirt and jacket pocket, are indispensable companions on every journey. They are used to record ideas for literary projects, but, most importantly, things that Handke has seen, read and heard. »I practised reacting to everything that happened to me immediately...
Spanish world rights (Alianza), Catalan rights (Alianza), France (Gallimard), Italy (Guanda), Sweden (Faethon), Iran (Farhange Javid Publishing)
His surroundings see him as a man possessed, »possessed not just by one, but by several, many, even countless demons«. During the day, he, a fruit grower by profession, walks through the village....
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»An extensive scene«, a public place, »definitely not a free space«; possibly in the Spanish province of Avila or in Humpolec in Bohemia, now or at another time. A narrator who is one of...
The Fruit Thief is nothing less than the book of the world: within it everything is possible, in both a positive as well as a negative sense. And reading it means: to have new experiences...
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Previously published in the respective language / territory; rights available again: Norway (Samlaget)
»Described as an answer to or at least an echo of Samuel Beckett’s Krapp’s Last Tape?, Till Day You Do Part Or A Question of Light is a monologue delivered by the ›she‹ in...
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Peter Handke’s last novel Don Juan reported on his experiences with women during a world trip. At the time, Neue Zürcher Zeitung wrote: »This is Handke-country, in a way that no...
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His relationship with Serbia and Slobodan Miloševic not only brought Handke a lot of criticism, they also led to a lot of undifferentiated defamation. In Paris, one of his plays was removed from...
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Two directors meet in the foyer of the Hotel Acapulco in a small provincial town in the heart of the Balkan in order to cast the actors for a planned film on the war that took place in the area a...
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Previously published in the respective language / territory; rights available again: France (Gallimard)
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Previously published in the respective language / territory; rights available again: Italy (Garzanti)
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Previously published in the respective language / territory; rights available again: Italy (Garzanti)
»Once Again for Thucydides is a collection of seventeen ›micro-epics‹ written by Peter Handke on trips around the world, from the Balkans to the Pyrenees, from Salzburg to the sea...
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Domestic rights sales: German paperback edition (Reclam – published, rights reverted)
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Previously published in the respective language / territory; rights available again: Italy (Garzanti)
Peter Handke’s story published in 1987 is set on an afternoon in December. Work at the desk is finished for the day, it won’t be continued until the following morning: an in-between-time, then....
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The four protagonists, the old man, the woman, the soldier and the gambler, move through a kind of phantastical topography across continents and time. They have broken free of daily...
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Not an essay, not a scene, not a story – an ode to permanence, as though it were a living being, something physical, as though one could talk to it. The ode as an offering, a courtship, as...
Spanish world rights (Trade edition: Alfaguara), Catalan rights (Eumo), Chinese simplex rights (Horizon), Portuguese rights (Assirio & Alvim), France (Gallimard), Italy (Einaudi), Netherlands (Koppernik), Greece (Vakxikon)
Previously published in the respective language / territory; rights available again: Serbia (Interpress), Slovenia (Drava)
Peter Handke’s epic work, in which the muses are called upon not in the beginning but at the end, is both story and exploration of the story, its genesis and importance at the same...
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While working on »The Long Way Around«, Peter Handke noted: »Sometimes the notion a writer had mainly one duty: to immortalise a landscape. – But how? – With the stories of humans.« Peter...
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A conflict develops between siblings Gregor, Hans and Sophie about their parents‘ hose. As the eldest son, Gregor has inherited the house and the piece of land after the...
UK & Commonwealth (Methuen), Spanish world rights (Pocketbook edition: Alianza), Chinese simplex rights (Horizon), Russia (Eksmo), France (Gallimard), Italy (Quodlibet), Serbia (Laguna)
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In Child Story Peter Handke depicts the first ten years in the life of a child and the story of the corresponding adult. Far from any sort of belittlement but also free of any pedagogical...
USA & Canada (FSG), UK & Commonwealth (Methuen), Spanish world rights (Pocketbook edition: Alianza), Chinese simplex rights (Horizon), Russia (Eksmo), Arabic world rights (Kalima), France (Gallimard), Netherlands (Koppernik), Korea (Minumsa), Serbia (Laguna), Turkey (Metis), Greece (Koukkida), Mongolia (Monsudar)
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The story The Long Way Around ends when the airplane begins its decent onto the continent. The first sentence of The Lesson of Mont Sainte-Victoire is: »Having returned...
USA & Canada (FSG), UK & Commonwealth (Methuen), Spanish world rights (Pocketbook edition: Alianza), Chinese simplex rights (Horizon), Russia (Eksmo), France (Gallimard), Netherlands (Koppernik), Korea (Art Books), Serbia (Laguna)
Previously published in the respective language / territory; rights available again: Italy (Garzanti), Sweden (Bonniers), Norway (Gyldendal Norsk), Bulgaria (Narodna Kultura)
For many years, Valentin Sorger was far away from everything that could be subsumised under the terms »home« or »family«. In his zest for being, conscious of his strength, he had given up...
USA & Canada (FSG), UK & Commonwealth (Methuen), Spanish world rights (Trade edition: Cuenco de Plata; Pocketbook edition: Alianza), Chinese simplex rights (Horizon), Russia (Eksmo), Arabic world rights (Al Arabi), France (Gallimard), Netherlands (Koppernik), Sweden (Bonniers), Norway (Gyldendal Norsk), Serbia (Laguna), Albania (Aleph), Armenia (Antares)
Previously published in the respective language / territory; rights available again: Italy (Garzanti), Bulgaria (Narodna Kultura)
»A combination of professional notebook and personal diary that records – both in short, informal jottings and through more formal, extended meditations – the details of Handke's daily life in...
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»A young woman faces loneliness and alienation on a journey to find her own life outside of being a wife and mother in Nobel Prize-winning author Peter Handke’s The Left-Handed...
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»At the beginning of Nobel Prize winner Peter Handke's novel A Moment of True Feeling, Gregor Keuschnig awakens from a nightmare in which he has committed murder, and announces,...
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»›My mother has been dead for almost seven weeks: I had better go to work before the need to write about her, which I felt so strongly at her funeral, dies away and I fall back...
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In the story Short Letter, Long Farewell a young Austrian travels across the USA, fleeing while at the same time seeking his wife Judith. He meets Claire, an old flame; participates in...
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Both the title of this volume as well as the content of the eponymous essay are an ironic provocation of that literature that likes to call itself a realist one. By applying the verdict of this...
Chinese simplex rights (Horizon), France (Christian Bourgois), Japan (Daisan Shobo), Poland (Eperons-Ostrogi)
»The Goalie's Anxiety at the Penalty Kick is a true modern classic that ›portrays the […] breakdown of a murderer in ways that recall Camus's The Stranger‹ (The New York...
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Previously published in the respective language / territory; rights available again: Czech Republic (Rubato), Israel (Hakibbutz Hameuchad)
»The […] play The Ride Across Lake Constance, deals directly with one of Handke's favorite themes: the realities of theater itself, independent of the offstage world, and the way language...
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What the texts of this volume share is that they use a grammatical model and realise this model in sentences formulated according to the model. Each of the sentences is an example, a play with...
Chinese simplex rights (Horizon), France (Christian Bourgois), Serbia (Laguna), Greece (Vakxikon)
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These three pieces without a plot, without a scenenery, and without props are spoken pieces that, built around the sound elements of beat music, make language itself its content, they are attempts...
Publikumsbeschimpfung [Offending the Audience]: USA & Canada (FSG), UK & Commonwealth (Bloomsbury), Spanish world rights (Pocketbook edition: Alianza), Chinese simplex rights (Horizon), Russia (Symposium), Brazilian Portuguese rights (Perspectiva), France (L’Arche), Italy (Quodlibet), Korea (Minumsa), Serbia (Laguna)
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Selbstbezichtigung [Self-Accusation]: USA & Canada (FSG), UK & Commonwealth (Bloomsbury), Chinese simplex rights (Horizon), France (L’Arche), Italy (Quodlibet)
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Weissagung [Divination]: Chinese simplex rights (Horizon), France (L’Arche), Italy (Quodlibet)
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Handke’s first novel The Hornets, first published in 1966, is an attempt at describing the genesis of a novel. Many years ago, man has read a book: or maybe he hasn’t even read the book...
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