UK & Commonwealth (Methuen Drama), Brazilian Portuguese rights (Editora 34), France (L’Arche), Italy (L’Orma), Netherlands (Jurgen Maas), Japan (Shobunsha), Greece (Kritiki)
Previously published in the respective language / territory; rights available again: Spanish world rights (Edicusa), Denmark (Gyldendal), Sweden (Albert Bonniers), Norway (Aschehoug), Finland (Tammi), Poland (PIW), Czech Republic (Mladá Fronta), Estonia (Kirjastus Perioodika), Croatia (Zajednica Nijemaca u Hrvatskoj), Turkey (Er Tu Matbaasi), Iran (Ibtikar-i Nau), Israel (Schocken)
The dialogues in Refugee Conversations, written in the early 1940s, deal with the everyday life of those expelled from Germany, represented by the intellectual Ziffel and the worker Kalle, who are talking about the international (German troops have occupied Denmark and Norway and are advancing in France) and their own situation in a cafe in Helsinki’s main railway station: »The passport is man‘s most precious organ.«
»[…] Refugee Conversations is a...
The dialogues in Refugee Conversations, written in the early 1940s, deal with the everyday life of those expelled from Germany, represented by the intellectual Ziffel and the worker Kalle, who are talking about the international (German troops have occupied Denmark and Norway and are advancing in France) and their own situation in a cafe in Helsinki’s main railway station: »The passport is man‘s most precious organ.«
»[…] Refugee Conversations is a delightful work that reveals Brecht as a master of comic satire. Written swiftly in the opening years of the Second World War, the dialogues have an urgent contemporary relevance to a Europe once again witnessing populations on the move.
The premise is simple: two refugees from Nazi Germany meet in a railway cafe and discuss the current state of the world. They are a bourgeois Jewish physicist and a left-leaning worker. Their world views, their voices and their social experience clash horribly, but they find they have unexpected common ground – especially in their more recent experience of the surreal twists and turns of life in exile, the bureaucracy, and the pathetic failings of the societies that are their unwilling hosts.
Their conversations are light and swift moving, the subjects under discussion extremely various: beer, cigars, the Germans' love of order, their education and experience of life, art, pornography, politics, ›great men‹, morality, seriousness, Switzerland, America ... despite the circumstances of both characters there is a wonderfully whimsical serendipity about their dialogue, the logic and the connections often delightfully absurd.« (book description from the English edition by Methuen Drama)
France (L'Arche), Greece (Kastaniotis)